Vincent Berrier joins Kahle Acoustics as acoustician for the performing arts. You may learn more about him through his cv.
Theater aan het Vrijthof, Maastricht, will re-open officially on 4th and 6th October 2018 with two co-productions: Skrjabins Prometheus by Philharmonie zuidnederland and King Lear by Toneelgroep Maasticht. More info about Kahle Acoustics' mission in collaboration with Cees Mulder, will soon be published but until then please browse on Theater aan het Vrijthof website.
The Institute of Acoustics (IOA) will held its Auditorium Acoustics 2018 at the Elbphilharmonie in Hamburg, running from 4th till 6th October. There will be a couple of presentations by Kahle Acoustics. To access the programme please click on the following link.
And on October 10th, the Fuzhou Strait Culture and Art Centre in China will be inaugurated. The Shanghai Symphony Orchestra will perform in the 1 600-seat opera hall. A few on-site pictures can be glanced at on the architects' website, and there will be more visuals to come as two acousticians from Kahle Acoustics will attend.
The 2018/19 issue of Auditoria magazine is out and you may read our article on found spaces via this pdf.
Our acoustician, Thomas Wulfrank took an active part in the project Inside the Hearing Machine notably in collaboration with the Orpheus Instituut and Tom Beghin. If you are interested, please browse on the Inside the Hearing Machine website, or Orpheus Instituut website and join one of the three October events to enter the multisensory playground of the late deaf composer: Beethoven. Or read The Acoustics of Beethoven's Hearing Machine, CD-booklet for Tom Beghin.
The contributing writer to Forbes Magazine, Jens F. Laurson is a Classical Critic who wrote about the Musikzentrum Bochum (July 21, 2017) in comparison to Hamburg Elbphilharmonie, please read more through this pdf. More info: here
August 3rd, Eckhard Kahle lectures on concert hall acoustics and its influence on musicians at Stavelot Abbey, Belgium, where the 60th musical festival takes place. Info: www.ekho-violins.com
Thomas Wulfrank joins the 24th International Congress on Sound and Vibration held in London from 23-27 July 2017 to present a paper on creative possibilities and limitation of curved surfaces in the acoustic design of contemporary auditoria. You may read the paper
Evan Green attends the 25-29 June Acoustics'17 Boston, the 173rd Meeting of the Acoustical Society of America. Evan Green will present a paper on “How (and why) does every Concert Hall 'wake up' differently?”
Kahle Acoustics's article on Musikzentrum Bochum has just been published in the Auditoria 2018 issue, browse the pdf for more info.
In January 2017 Arsonic Mons is awarded the 2016 Protection and Future of the City prize in the Contemporary interventions category. More info: here
Kahle Acoustics is glad to announce that Émilie Carayol is hired as acoustic consultant as of January 2017. You may read her full CV through this link: here.
ArAc Multibook Kahle Acoustics has been invited to join a European e-learning and m-learning tool development project named the ArAc Multibook. • The aim is to offer support to the architects with key acoustic competences. This application, developed in four languages (English, French, German and Polish) will be available as of Spring 2015. This project is funded with support from the European Commission under the Lifelong Learning Publication Programme. • Kahle Acoustics collaborates with KFB Poland, Wrocław University of Technology (WUT), Poland, GFAI Tech GmbH, Germany, and The Laboratory for Acoustics and Thermal Physics (ATF) of Katholieke Universiteit Leuven, Belgium. • More information: Adam Europe + Ar-Ac multibook + pdf.